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Rivoli

by Phÿcus

supported by
Bruce MacLean
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anelectricmind
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1.
Be My Naber (Rivoli) 02:46
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2.
Grandmaster Phÿcus (Rivoli) 08:45
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3.
Tottering Structures (Rivoli) 04:32
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4.
This Is The Burn (Rivoli) 05:08
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5.
Working Man (Rivoli) 08:06
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6.
I Believe In Neoism (Rivoli) 01:31
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7.
Meat is Might (Rivoli) 04:45
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about

Recorded at the Rivoli Club, Toronto, February 1992

First Phÿcus show in Toronto, opening for Attack Squad and Digital Poodle. First onstage appearance of William Davison as a member of Phÿcus.

According to Scott Righteous:
This was the one where some fights broke out, and over the years I eventually became friends with most of whom was in attendance, and was able to piece together what the hell happened. There was a fight or two, and a guy threw a chair, but we were playing, so it was hard to see what exactly was going on. There was a guy dressed fairly casual who pushed a dread-punk guy up against the wall near the door, so I assumed he was causing trouble, but in fact I found out later it was quite the opposite. Also Jurgen was there (friends with Attack Squad) and jumped out of the way of a chair that got thrown. Vegetarians gone wild, I think was the premise of the violence. I don't know if the leather-jacketed dread-punk guy was assaulted first. Maybe somebody was picking on him. But he did appear to be quite pissed off about "Meat Is Might".


01 Be My Naber (Rivoli)
02 Grandmaster Phÿcus (Rivoli)
03 Tottering Structures (Rivoli)
04 This Is The Burn (Rivoli)
05 Working Man (Rivoli)
06 I Believe In Neoism (Rivoli)
07 Meat is Might (Rivoli)

credits

released February 12, 1992

William “Bill Satan” Davison - Guitar

Scott Righteous - Sampler

Brian Damage – Roland S-550 Sampler & Sequencer, Casio CZ-1000, Vocals (01, 02, 03, 04, 07)

Monty Cantsin – Vocals (05, 06), Megaphone (05, 07)

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Phÿcus Montreal, Québec

Phÿcus was a Canadian industrial / experimental band that existed from 1988 to 2000. Phÿcus transformed from the traditional band format into a network that included over 50 contributors in a dozen locales, with Montreal as its centre of operations. Phÿcus' success was minimal, but their output was prodigious. Now in 2020, Phÿcus is back with a new release, "CrowleyWood". ... more

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